• ASCENSION<br /> giovanni singleton<br >Winner of the California Book Award

    ASCENSION
    giovanni singleton
    Winner of the California Book Award

    Winner of the 81st Annual California Book Award for Poetry In this diary of intentionality, the behearer and the beholder approach the world with an attitude of longing—for less: less sorrow, less suffering. Daily practice delivers the speaker to profound meditations on the nature of the self. These poems press against our deepest held questions: what is an I? Where are my borders? What or how am I “with”? “From whom—from what—do we hide?” giovanni singleton is a poet, teacher, [...]

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  • A Celebration of <i>Denver Quarterly</i>, Saturday, May 19, 2012, 5 p.m.

    A Celebration of Denver Quarterly, Saturday, May 19, 2012, 5 p.m.

    After 17 years, Bin Ramke is stepping down as editor of Denver Quarterly, the acclaimed literary journal based in the English Department at the University of Denver. Please help us celebrate his extraordinary tenure, as well as the transition to the Quarterly‘s new editor, Laird Hunt, as current and former DU students and faculty, along with special guests, read selections from issues of the Quarterly published under Bin. With readings by: Selah Saterstrom Scott Howard Laird Hunt Brian Kiteley Chris [...]

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  • HEATH COURSE PAK</br> Tan Lin

    HEATH COURSE PAK
    Tan Lin

    Like its predecessor, HEATH (plagiarism/outsource), Heath Course Pak exists somewhere between a Project Gutenberg version of Samuel Pepys Diary and a minute-to-minute news feed and blog of Heath Ledger’s death. Sad, appropriated, lyrical and confused, the book contains a brief history of recent performance art, a legal defense of plagiarism, the diary of a poetry workshop at the Asian American Writer’s Workshop, an MP3 protest song, and an examination of SMS and GMS technologies as distribution networks for human sadness. [...]

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  • CONFESSIONS OF A PLAGIARIST</br>Kevin Kopelson

    CONFESSIONS OF A PLAGIARIST
    Kevin Kopelson

    In college, Kevin Kopelson passed off a paper by his older brother Robert as his own. In graduate school, he plagiarized nearly an entire article from a respected scholar, and then later, having met her and been asked if he would send something for her to read, sent that essay he had plagiarized from her work. This is not to mention the many instances in which he quoted others extensively, not passing their work off as his own, but substituting [...]

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  • DECK OF DEEDS </br>Rodrigo Toscano

    DECK OF DEEDS
    Rodrigo Toscano

    Deck of Deeds is comprised of seventy poetic prose image captions (without images) whose titles are inspired by the popular Latin American loteria card game. Written by a poet who logs in an average of ten thousand miles of air travel each month working as a union trainer and coordinator throughout the U.S., the “cards” reflect a dizzying array of cultural-geographic locations, each one acting as a scene-setter for highly dystopian portraits of “people” caught in a tangle of industry-specific [...]

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  • 154 FORTIES</br>Jackson Mac Low

    154 FORTIES
    Jackson Mac Low

    The first publication of the complete series of Jackson Mac Low’s “Forties” poems. Written and revised from 1990 to 2001 with a method Mac Low called “gathering,” where he took into the poems words, phrases, and other kinds of word strings, and sometimes sentences, that he saw, heard, or thought of while writing the drafts, the poems include detailed markings of caesural spacing, timing, compound words (many neologistic), and metrical stress. Each of the poems adhere to what Mac Low [...]

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Recent Publications & Events

  • [BOND, JAMES]</br> Michelle Disler

    [BOND, JAMES]
    Michelle Disler

    Invokes a narrative and intimate distance through the imbalance of power between men & detectives and women & wives, leaving a risky proposition like an alphabet or the simple complexity of memoir and writing about memory. A sobering examination of the ultimate spy-styled popular thriller, a nuanced deconstruction of model masculinity in mass culture. Michelle Disler is an assistant professor of creative writing at Ohio Wesleyan University. Her work has appeared in The Laurel Review, Seneca Review, Lake Effect, Gulf [...]

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  • Coffee House Press Feature, Friday, May 11, 2012

    Coffee House Press Feature, Friday, May 11, 2012

    Reading by Coffee House Press authors, Joseph Lease, Lightsey Darst, Maureen Owen, and Laird Hunt. Friday, May 11, 2012, 7 p.m. Scroll down for videos of the readings.   Joseph Lease’s critically acclaimed books of poetry include Testify (Coffee House Press, 2011); Broken World (Coffee House Press); and Human Rights (Talisman House, second edition forthcoming). Lease’s poems “‘Broken World’ (For James Assatly)” and “Send My Roots Rain” have been selected for Postmodern American Poetry: A Norton Anthology (Second Edition). “‘Broken [...]

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  • Entanglement: Anne Waldman, Eleni Sikelianos, Ed Bowes, Saturday, April 28, 2012

    Entanglement: Anne Waldman, Eleni Sikelianos, Ed Bowes, Saturday, April 28, 2012

    Saturday, April 28, 2012, from 7 p.m. to 9 p.m., Counterpath hosted “Entanglement,” a poetry performance/reading by Anne Waldman and Eleni Sikelianos, and screening of Ed Bowes’s Entanglement (2009), with contributing text by Anne Waldman, and starring Eleni Sikelianos. Anne Waldman, recently deemed a “counter-cultural giant” by Publisher’s Weekly, is a  poet, performer, professor, editor, and cultural activist. She is the author of more than 40 books and has concentrated on the long poem as a cultural intervention with such [...]

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  • Craig Baldwin’s SONIC OUTLAWS, Wednesday, April 25, 2012, 7 p.m.

    Craig Baldwin’s SONIC OUTLAWS, Wednesday, April 25, 2012, 7 p.m.

    On April 25th, 7 p.m., collage-film essayist and west coast underground film legend  Craig Baldwin comes to Denver for a screening at Counterpath of his 1995 documentary, Sonic Outlaws. One of Senses Of Cinema’s “great directors,” Craig Baldwin is a recombinatory filmmaker who exists at the edge of contemporary cinema both through his films and his weekly film series, Other Cinema. The spread of his films in the last two decades, particularly *Tribulation 99*, *Sonic Outlaws* and *Spectres of the [...]

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  • Lisa Robertson: Screenings of <i>In Painting</i> and <i>A Modest Treatise</i>, Sunday, April 22, 2012

    Lisa Robertson: Screenings of In Painting and A Modest Treatise, Sunday, April 22, 2012

    Sunday, April 22, 2012, at 6 p.m. Screening of In Painting (a collaborative work by Allyson Clay, Nathanael, and Lisa Robertson) and A Modest Treatise (Allyson Clay and Lisa Robertson), introduced by Lisa Robertson. RSVP For many years Lisa Robertson has worked across disciplines and often in collaboration. With the late Stacy Doris she was the Perfume Recordist, an ongoing sound performance and writing project with work in the new I’ll Drown My Book: Conceptual Writing by Women. She worked [...]

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  • Ugly Duckling Presse Feature, with Matvei Yankelevich and Noel Black, Saturday April 21, 2012

    Ugly Duckling Presse Feature, with Matvei Yankelevich and Noel Black, Saturday April 21, 2012

    Saturday, April 21, 2012, at 7 p.m. at Counterpath hosted “Buy, Sell, Trade: The Chapbook Press in the 21st Century, and the Story of Ugly Duckling Presse,” with a talk and presentation by Ugly Duckling Presse founder Matvei Yankelevich and a reading by Ugly Duckling Presse author Noel Black (unfortunately our video cut off before Noel’s reading). Counterpath carries the full range of Ugly Duckling Presse titles, and you can find out more about Ugly Duckling Presse here. Matvei Yankelevich is [...]

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  • “Shape of the ‘I’” Conference Reading, Saturday, April 14, 8 p.m. to 10 p.m.

    “Shape of the ‘I’” Conference Reading, Saturday, April 14, 8 p.m. to 10 p.m.

    Saturday, April 14, 2012, from 8 p.m. to 10 p.m., Counterpath hosted a reading as part of “Shape of the ‘I’: A National Conference,” a two-day series of events at the University of Colorado, Boulder, including panel discussions, readings, screenings, and performances focused on questions of the subject through such diverse lenses as medicine, law, literature, poetics, creative non-fiction, feminism, queer studies, performance studies, and more. For more information on the conference, click here. With readings at Counterpath by: Francisco [...]

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  • <i>Line Describing a Cone</i> (1973) by Anthony McCall, Friday, March 23, 8 p.m.

    Line Describing a Cone (1973) by Anthony McCall, Friday, March 23, 8 p.m.

    Line Describing a Cone, Anthony McCall, 16mm, 1973, 30 mins Friday March 23 @ 8pm—this one-time-only solid film event will begin at 8:30 p.m. sharp—no entrance will be allowed after the start time! Presented and installed  by Think Outside the Booth, with Jeanne Liotta. ———— Line Describing a Cone is what I term a solid light film. It deals with the projected light beam itself, rather than treating the light beam as a mere carrier of coded information, which is decoded [...]

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  • Cole Swensen and Nicolas Pesquès Reading: Sunday, March 11, 6 p.m.

    Cole Swensen and Nicolas Pesquès Reading: Sunday, March 11, 6 p.m.

    Sunday, March 11, 2012: A reading by Cole Swensen and Nicolas Pesquès. Cole Swensen is the author of thirteen volumes of poetry, most recently Greensward (Ugly Duckling Presse, 2010) and Ours (U. of California Press, 2008), and a volume of essays, Noise That Stays Noise (U. of Michigan Press, 2011). She is the co-editor of the 2009 Norton anthology American Hybrid, the founding editor of La Presse Books, which specializes in contemporary French writing translated by English-language poets, and a [...]

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  • New Ages: Screening and Launch of <i>Incite: Experimental Media #3</i>

    New Ages: Screening and Launch of Incite: Experimental Media #3

      New Ages: Video Screening and Launch of Incite Journal of Experimental Media #3 Featuring work by: Jaimz Asmundson, Jacob Ciocci, Clint Enns, Eliza Koch, Jesse McLean, Shana Moulton, Lillian Schwartz, and Leslie Supnet Curated by Brett Kashmere Wedneday, March 7, 2012 @ 8PM Counterpath (613 22nd Street, Denver) RSVP This is a new age (for New Age-ism).  Although it may be in vogue now, New Age subculture was once the subject of widespread ridicule and scorn. Combining quasi-religious mysticism [...]

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  • NOAH SATERSTROM</br>Exhibit, Opening Reception February 18, on view through February 29

    NOAH SATERSTROM
    Exhibit, Opening Reception February 18, on view through February 29

      Paintings and collaborations by Noah Saterstrom. Opening reception Saturday, February 18, 2012, 7 p.m. to 9 p.m., with readings by Joshua Marie Wilkinson and Noah Eli Gordon. Work on view through February 29. Raised in Mississippi and educated at the Glasgow School of Art in Scotland, Noah Saterstrom works as a visual artist and independent curator. His paintings, drawings, and print installations have been shown nationally and internationally, most recently in Brooklyn, NY, New Orleans, LA and Glasgow, Scotland. [...]

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  • Launch for the Re-Release of Laird Hunt’s THE IMPOSSIBLY

    Launch for the Re-Release of Laird Hunt’s THE IMPOSSIBLY

      Please join us on Saturday, February 11th, from 5-7 p.m. at Counterpath (613 22nd St., Denver) for a reading, musical performance and art display to celebrate the 10th anniversary paperback rerelease of Laird Hunt’s The Impossibly.  The new edition, which has an introduction by Percival Everett, an afterword by Laird and a previously unpublished “lost” chapter, will be for sale at the event. Over the course of the evening their will be, intermingled: Readings from The Impossibly by Jeanne [...]

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  • MT/TIME: Video Poetics, Screening and Launch Party Friday, Dec. 2, 7 p.m.

    MT/TIME: Video Poetics, Screening and Launch Party Friday, Dec. 2, 7 p.m.

    mt/time is a series of films that directly confront issues of spoken or written language and that develop a language-inflected poetics of the moving image. Jeanne Liotta is curating the series. The first installment of the series, which will launch with a screening at Counterpath on Friday, December 2, 2011, at 7 p.m., includes the following works: Stephanie Barber, text by Stephanie Barber miniatures (from jhana and the rats of james olds) Christina Battle, text by Julie Carr To reveal [...]

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  • FLOOD EDITIONS</br>Devin Johnston and Graham Foust

    FLOOD EDITIONS
    Devin Johnston and Graham Foust

    Nov. 11, 7-9 p.m., Counterpath featured Flood Editions, a publisher of poetry and fiction started in 2001 and run by Devin Johnston and Michael O’Leary. Flood author Graham Foust also read, as well as publisher Devin Johnston (in what we’ve been told is the Australian style). Graham Foust has written four full-length collections of poetry: As in Every Deafness (Flood Editions, 2003), Leave the Room to Itself (Ahsahta Press, 2004), Necessary Stranger (Flood Editions, 2007), and A Mouth in California [...]

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  • Christina Battle Film Screening, Nov. 4th

    Christina Battle Film Screening, Nov. 4th

    17 HOURS OF DARKNESS (IT APPROACHES IN THE WIND) 7:30 p.m. to 9 p.m. Programmed by Christina Battle In anticipation of the looming winter, a program of short works by contemporary Canadian artists turning their cameras toward the landscape and the dark, nagging secrets it holds just under the surface. [Part II of an ongoing series of programs]. With works by: Josh Bonnetta, Sara MacLean, Peter Dudar and Marianna Milhorat. American Colour – Josh Bonnetta – 2011 – 24 minutes [...]

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  • Pressed Wafer: William Corbett and Linda Norton, Gordon Matta-Clark’s <i>Conical Intersect</i>

    Pressed Wafer: William Corbett and Linda Norton, Gordon Matta-Clark’s Conical Intersect

    Friday, September 23, 7 p.m., William Corbett discussed his small press Pressed Wafer and Linda Norton presented a slide show and read from her recent Pressed Wafer title, The Public Gardens. Followed by a screening, introduced by Jeanne Liotta, of Gordon Matta-Clark’s Conical Intersect (1975). William Corbett is a poet and memoirist who lives in Boston’s South End and teaches writing at MIT. He has published books on the painters Philip Guston and Albert York and edited the letters of [...]

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  • <i>Travel Patterns</i>, installation by Sara Schnadt

    Travel Patterns, installation by Sara Schnadt

    Opening performance, September 2, 2011 On view September 2 through September 30, 2011, three new works by performance/installation artist Sara Schnadt created poetic spatial systems about personal and cultural  relationships to site. All three works explored site, an accumulation of relationships to site, and resulting narratives as well as the sociopolitical and poetic implications of landscape. Where I’ve Been And Where I Want To Go was a large installation completed during the opening on September 2, 2011, by the artist [...]

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