If you search on references to Ron Silliman in Against Expression: An Anthology of Conceptual Writing, edited by Craig Dworkin and Kenneth Goldsmith (Northwestern University Press, 2011), you find the following: table of contents, pg. xv, Ron Silliman, 531, from […]
mUtter-bAbel, a graphic and textual exploration of ugly archaic feelings and their troubling social effects. It is a verbo-visual experiment integrating handmade drawings with computer-designed texts, exploring very early feelings babies have for their mothers. Whether because many people cannot […]
Here explores a method of expansiveness, how poems sustain a very long line, taking in emotions, objects, and scenes as they appear or are built. Stretching the concept of sentence and description to capacity, the poems witness such subjects as […]
Transience, absent-mindedness, and blocking are types of forgetting. How ironic. I realize now, reading over the first part of this—what is this?—that I misremembered the word my mother had trouble remembering. My mother was talking about her commitment to learning […]
On June 25, 2013, Texas State Senator Wendy Davis filibustered the Texas State Senate to prevent the passage of a law intended to severely restrict access to abortion in Texas. Reading aloud from a lengthy prepared text, Davis was able […]
Holocaust Museum reframes the captions of holocaust photographs from the United States Holocaust Memorial Museum in Washington, DC. These captions—without their photographic images—are arranged loosely in the order or narrative constructed by the museum. There are many purposes to this […]
Foreign Correspondent is about a girl reporter, Johnnie James, in search of international intrigue and romantic excitement. This short novel, written in evocative imagistic sections of short prose, follows Johnnie as she encounters philosophers, jaunty sports journalists, exotic lap birds, […]
On this lexical roadtrip, we delight in the drama of the anagram’s deep weathers: there’s an “errant impasse” in the “itinerant passenger,” there’s “amber” in our “chambers.” Content is the secret that our forms yield up to us. With gorgeous […]
“As I was becoming a teenager, that is to say a serious person, he was becoming an eccentric, at 70, an inconsistent and flighty person. We missed each other.” In this tale, conceived as a biographical hypothesis, the author […]
Plural is an experiential immersion in the daily life of an artist, arts critic and poet who weaves and juxtaposes aesthetic ideas, personal circumstances, philosophical questions, and societal situations while aggressively experimenting with poetic form and content. Stackhouse’s interest in […]
The first publication of the complete series of Jackson Mac Low’s “Forties” poems. Written and revised from 1990 to 2001 with a method Mac Low called “gathering,” where he took into the poems words, phrases, and other kinds […]
Winner of the 81st Annual California Book Award for Poetry In this diary of intentionality, the behearer and the beholder approach the world with an attitude of longing—for less: less sorrow, less suffering. Daily practice delivers the speaker […]
August 5, 2014: Selected Days wins the Poetry Center Book Award from San Francisco State University! Stephen Ratcliffe has been performing daily writing since 1999, when he began with Portraits & Repetition. Through a daily practice of acute perception […]
Like its predecessor, HEATH (plagiarism/outsource), Heath Course Pak exists somewhere between a Project Gutenberg version of Samuel Pepys Diary and a minute-to-minute news feed and blog of Heath Ledger’s death. Sad, appropriated, lyrical and confused, the book contains a brief […]
Deck of Deeds is comprised of seventy poetic prose image captions (without images) whose titles are inspired by the popular Latin American loteria card game. Written by a poet who logs in an average of ten thousand miles of air […]
In college, Kevin Kopelson passed off a paper by his older brother Robert as his own. In graduate school, he plagiarized nearly an entire article from a respected scholar, and then later, having met her and been asked if he […]
![[BOND, JAMES] Michelle Disler](http://counterpathpress.org/wp-content/uploads/2011/07/disler-cover-228x160.jpg)
Invokes a narrative and intimate distance through the imbalance of power between men & detectives and women & wives, leaving a risky proposition like an alphabet or the simple complexity of memoir and writing about memory. A sobering examination of […]
The nearly supernatural nature of this groundbreaking work can be glimpsed in the book’s title. When read aloud, Yíngelìshi (pronounced yeen guh lee shr) sounds like an accented pronunciation of the word “English,” while the Chinese reader sees the Chinese […]
“It’s as if,” writes Gillian Conoley of Still: Of the Earth as the Ark which Does Not Move, “in our still lives, in the still shots of cultural, historical and individual atomized memory, Matthew Cooperman is holding a Geiger counter, […]
Time’s Wallet is a memoir written in discrete pieces, “memoirrhoids.” The 54 short bits cover the variety and extent of a life from 1935 to the present, from Manhattan by various routes to Denver, Colorado. The work presents itself not […]
Set in a city much like Beirut in the aftermath of bloody civil war, a former mercenary relates his fate and that of others of his kind after the peace. The world is rapidly healing itself—people getting back to their […]
The supernatural, ventriloquism, table-turning, magic carpets, ghosts, The Field is Lethal is immersed in a late nineteeth-century spiritualism . Borrowing freely from folklore and anecdote, Doppelt mixes oblique references, catching us in the sound and play of language as much as […]
“Motherhood and housewifery and other worldly concerns of the female artist-provider ride rampant here in this bustling exploding book of prose & poem meditations. One of our best writers does it again” (Anne Waldman). Prose, verse, letters, and plays, The […]
In this reprint of a classic later work from French novelist Nathalie Sarraute, one finds a “delectably austere, beady-eyed book. . . . The phrases that give rise to the scenes or episodes are ordinary enough until Sarraute imagines for […]
While Li Po and other classic Chinese poets mostly found expression through landscape, Vietnamese poet Nguyen Trai (1380–1422) wrote about his own life. The literary symbols of T’ang Dynasty poetry are relatively general, traditional, and polite, but Nguyen Trai developed […]
In alternating currents of prose and verse, Shot reaches beyond the tradition of the nocturne to illuminate contradictory impulses and intensities of night. Shot inhabits the sinister, visionary, intimate, haunted, erotic capacities to see and hear things at night, in the […]
In her first collection, Barbara Claire Freeman links lyric subjectivity to an exploration of crucial moments in U.S. history. There are meditations on the Declaration of Independence, institution of slavery, Gold Rush, Lewis and Clark Expedition, Civil War, Great Depression, […]
Reading the Unseen: (Offstage) Hamlet is about the presence and significance of offstage action in Hamlet, things we hear about in words but do not see performed physically onstage—things like King Hamlet’s murder “while [he] was sleeping in [his] orchard,” […]
When violence erupts on the streets of Paris in May 1968, a hapless international film crew finds itself stranded during the shooting of a preposterous low-budget blue movie about notorious 18th century erotic poet John Wilmot, the Earl of Rochester. […]
Poems born in “a time of abrupt needs,” There’s the Hand and There’s the Arid Chair catalogues those individual and imperative fancies that, in the cosmos of Tomaz Salamun, eternity aims to replace: A genealogy of dressmakers and songbirds. A topography […]
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